a:1:{s:5:"entry";a:1:{i:0;a:14:{s:2:"id";s:8:"33402454";s:4:"hash";s:32:"86d25991abaa80b7fb86119a9556b26a";s:11:"requestHash";s:12:"kayeriakweks";s:10:"profileUrl";s:32:"http://gravatar.com/kayeriakweks";s:17:"preferredUsername";s:12:"kayeriakweks";s:12:"thumbnailUrl";s:61:"http://2.gravatar.com/avatar/86d25991abaa80b7fb86119a9556b26a";s:6:"photos";a:1:{i:0;a:2:{s:5:"value";s:61:"http://2.gravatar.com/avatar/86d25991abaa80b7fb86119a9556b26a";s:4:"type";s:9:"thumbnail";}}s:4:"name";a:3:{s:9:"givenName";s:6:"Kayeri";s:10:"familyName";s:6:"Akweks";s:9:"formatted";s:13:"Kayeri Akweks";}s:11:"displayName";s:12:"kayeriakweks";s:7:"aboutMe";s:460:"Kayeri Akweks is an enrolled member of the Upper Mohawk on the 6 Nations Reserve, Ontario, Canada. 

As a painter and printmaking, she draws upon environmental, historical, archetypal and personal symbols interweaving zoomorphic and floral cutouts into contrasting forms that speak about transitional moments.

This Blog is to follow her process of research and thinking about ideas that seem worth exploring as a contemporary Native American woodlands artist.";s:15:"currentLocation";s:20:"www.kayeriakweks.com";s:6:"emails";a:1:{i:0;a:2:{s:7:"primary";s:4:"true";s:5:"value";s:21:"info@kayeriakweks.com";}}s:8:"accounts";a:1:{i:0;a:6:{s:6:"domain";s:12:"facebook.com";s:7:"display";s:13:"kayeri.akweks";s:3:"url";s:37:"http://www.facebook.com/kayeri.akweks";s:8:"username";s:13:"kayeri.akweks";s:8:"verified";s:4:"true";s:9:"shortname";s:8:"facebook";}}s:4:"urls";a:1:{i:0;a:1:{s:5:"value";s:27:"http://www.kayeriakweks.com";}}}}}